“Wine Pon You” is a vibrant track by Doja Cat featuring Konshens, released as part of her debut studio album, Amala, in 2018. The song is infused with dancehall rhythms and hip-hop elements, creating an infectious beat that invites listeners to dance. The title itself, derived from Jamaican Patois, translates to “dance seductively on you,” encapsulating the song’s central theme of flirtation and self-expression through dance.
The lyrics explore themes of confidence, independence, and the complexities of attraction in a club setting. Doja Cat asserts her autonomy with lines like “I ain’t got my eye on you,” showing that she is not seeking a romantic connection but is instead enjoying her own power and allure.
In this article, we’ll explore the message conveyed in the song’s lyrics.
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“Wine Pon You” Lyrics Meaning
[Verse 1: Doja Cat]
I ain’t got my eye on you
Ain’t been hypnotized by you, yeah
Ain’t in here tryna find my dude
I take it you just like the way I wine pon you
In this opening verse, Doja Cat establishes her independence and self-assuredness. By stating she isn’t focused on any particular man, she conveys a sense of freedom in her actions and intentions.
The phrase “wine pon you” refers to a seductive dance move common in Caribbean dancehall culture, symbolizing her control over her sexuality and the allure she exudes.
This sets the tone for the rest of the song, emphasizing that she is not seeking a relationship but rather enjoying the moment.
[Chorus: Doja Cat]
How I wine pon you
The way I wine pon you
How I wine pon you
The way I wine pon you, yeah
Take it you just like the way I wine pon you
Take it you just like the way I wine pon you, yeah
The chorus is a catchy repetition that reinforces the central theme of the song: the seductive dance and its effect on others.
The repetition of “How I wine pon you” serves as a mantra of empowerment, celebrating her ability to captivate and mesmerize.
It highlights the enjoyment of the dance and the attention it garners, further asserting her confidence.
[Post-Chorus: TROY NōKA]
You can catch her in the Vogue or Hustler magazine
Young red bitch, pussy wet, five screens
You can catch her in the Vogue or Hustler magazine
Young red bitch, pussy wet, five screens
In this section, TROY NōKA emphasizes Doja Cat’s status as a sexual icon and a figure of empowerment.
The references to “Vogue” and “Hustler” magazines suggest that she is celebrated in both high fashion and adult entertainment contexts, showcasing her multifaceted appeal.
The phrase “young red bitch” conveys a sense of boldness and confidence, while “pussy wet, five screens” implies her desirability and visibility in popular culture.
[Verse 2: Doja Cat]
Yeah, yeah
Pop that like Ginkgo biloba
That booty don’t need no more soda
Too hot, now this boy don’t need no more doja
Leg on the seat, that’s a photo
See that you focused
If there’s no room, boy, we squeeze in the corner
Way that he talking, you think that he know her
Hold up
See baby, this for the night, I won’t see you tomorrow
Yeah, but when I dance here, boy you better man up
Be like a museum, got you looking, boy you can’t touch
Yeah, I got him speaking, got him geeking, tie them hands up
Tappin to the beat, you wanna freak her ’cause she random
Know you got your girl here, looking for your ass, run
Faking that you loyal, boy, you playing with her passion
Even when the beat slow, I shake a lil’ faster
Twerking on the speaker, know you need her in your fan club
This verse delves deeper into the dynamics of attraction and power. The line “Pop that like Ginkgo biloba” cleverly plays on the herb’s reputation for enhancing memory, suggesting that her dance moves are unforgettable.
The assertion that “that booty don’t need no more soda” humorously dismisses the myth that drinks can enhance physical attributes, affirming her natural allure.
Doja Cat continues to assert her control over the situation, likening herself to a museum—something to admire but not touch. This metaphor emphasizes her autonomy, showing that while she may be the center of attention, she is not an object to be possessed.
[Verse 3: Konshens]
Aha, oh yeah
Baby girl, badman a wuk you, we no nerdy
Make underwear fly like birdie
When me call, you cum early
Make you wanna get down and dirty
When you whine up your body so slow
Punch line, solo
It’s your show, be the star and done
When you back it pon me, me nah back down
Konshens complements Doja Cat’s themes with his own confident and assertive lyrics.
His lines reflect a playful yet assertive approach to attraction, using Caribbean Patois to enhance the authenticity of his perspective. He portrays himself as a dominant figure in the dance, furthering the sexual tension established earlier in the song.
Deeper Meaning Behind “Wine Pon You”
“Wine Pon You” is more than just a club anthem; it is a celebration of self-expression and empowerment.
The phrase “wine pon you” encapsulates the essence of dancehall culture, where such movements are a form of self-expression and celebration of one’s body.
By using this term, Doja Cat pays homage to Caribbean traditions and integrates them into her music, bridging cultural gaps and showcasing her versatility as an artist.
Throughout the song, Doja Cat asserts her independence and confidence. Lines like “I ain’t got my eye on you” show that she is not seeking a romantic connection but rather enjoying her agency in the club environment.
The singer acknowledges her status as a sexual icon, referencing her visibility in mainstream media with lines about being featured in magazines like “Vogue” and “Hustler.” However, she also establishes boundaries, making it clear that while she may be alluring, her body is not an object to be possessed, as highlighted in the line “Be like a museum, got you looking, boy you can’t touch.”
The song is filled with clever references and wordplay, such as “Pop that like Ginkgo biloba,” which suggests that her dance moves will leave a lasting impression. This playful use of language adds depth to the song, making it not just a catchy club anthem but also a commentary on perception and desire.
Jacob Carter is a lyricist. He created the lyrics writing course to teach people how to analyze and write lyrics. He graduated from the University of Oxford with a degree in English Literature, so he’s skilled at playing with words.
He’s also an amateur guitarist, which means he knows music and melody very well. With this background, he’s a great lyricist you can rely on to learn writing lyrics.